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Introduction

 

I began to create this website in 2005 - of course it was very much smaller back then.  It grew over 10 years to cover all London's main production studios from the early pioneering days to the present.  I have tried to keep it up to date but I confess, real life has got in the way from time to time - most notably for the whole of 2016 and half of 2017, following a house move.  I am now in the process of including all the updates and corrections people have sent me.

 

 

London has dozens of spaces that are marketed as 'TV studios'.  Some have been converted from existing buildings with an industrial past, or are simply rooms within office blocks.  These range from those with proper lighting grids, flat resin floors and the latest high definition or even 4K technology to those that are little more than a basic 4-waller.

However, this website ignores many of the above and instead deals mostly with the main large studio complexes that have a history that in many cases go back to the origins of ITV and the BBC.  I have included independent TV studios if they have produced a variety of work, and film studios if they also have TV studios on site or have been used to make a number of television dramas and/or other programmes on their stages.  (Hence Denham isn't included - I believe they only made feature films there.)  I have also added the studios Gerry Anderson created for his TV series in the 1960s.

In order to put a limit on things I have left out the many small studios that can be found all over London - most of them making programmes for digital channels (news, shopping, bingo, porn etc).  Some others available for hire are often little more than a black-painted room with a scaffold grid, a white or chromakey cyclorama and maybe a couple of dressing rooms and a green room.

 

This website focuses on the buildings and facilities of the various studios over the years.  I'm aware that too many dry facts could be very boring indeed.  So I also cover the programmes, the artists and some anecdotes associated with the studios whenever I am able to offer up a nugget of human interest.  However, I would strongly recommend what might be considered a companion volume to this website - Louis Barfe's truly excellent history of British light entertainment - Turned Out Nice Again.  It's a glorious wallow in all those performers who never seemed to be off our screens from the mid '60s into the nineties and in some cases well beyond.  If you have worked in the industry you will also know many of the names behind the scenes that he mentions.

 

 

 

A television studio is a factory floor.  It is simply the most efficient way a particular type of television programme can be made.  If it could be made cheaper anywhere else it would be.  Don't believe those who say that TV studios are no longer needed because of the sophistication of current cameras and other flyaway technology.  Using a warehouse or very basic film stage might look cheaper but once you have installed a lighting grid and all the lights, dimmers and cabling, paid for several days of rigging, booked a generator, laid a TV friendly floor, discovered that the roof leaks and the walls let in the sound of local traffic and aircraft, there is no local catering and you have to put most of the crew up in a hotel - many a line manager has discovered that the fully equipped TV studio looks incredibly good value for money after all.

Nevertheless, several types of programme that used to be made in studios are now shot on location or in offices/warehouses/deserted factories.  However, this is not an inevitable process.  For most of the first decade of this century, Watchdog used the production's own office as a studio.  They drove an OB truck up once a week, turned on the TV lights and recorded a show.  The next day it was an office again.  Like many others, this show used to have a regular booking in a studio at TV Centre but cost forced them to find an alternative.  Then in 2009 when Anne Robinson returned, the look of the show changed and a set was built inside the office that hid all the desks and windows.  This caused so many headaches to sound, lighting and cameras that in 2010 the show went back to TC2 at TV Centre.  One assumes BBC S&PP offered a cheaper price than before, so the sums made sense to the programme and thus everyone benefited.  (Except perhaps for SIS Live, the OB company, who sadly now are no more.)  Of course, a couple of years later TV Centre was closed so the show had to find another studio - it moved to the Hospital Club studio in Soho.

 

Most of Britain's multicamera studio-based television is still made in or near London, despite the studios in Glasgow and Salford.  Outside the capital are a number of medium/large (6,000 sq ft and over) multicamera studios - in Salford (3), Glasgow (1) and Maidstone (2).  

There is a BBC studio in Cardiff (Llandaff studio A) but this is hardly ever used now and will be closing around 2018.  The BBC's drive-in studio in Belfast is mostly used for local programming.  The BBC drama centre at Roath Lock in Cardiff makes single-camera drama although it has been used to record one series of Only Connect using an OB unit for facilities.  Wales currently has one independent studio in Cardiff - the 4,800 sq ft Enfys studio - mostly making local material but is now also the home of Only Connect.

 

Setting aside those studios permanently making soaps, news, sport or daytime magazine shows - London's main medium-to-large (6,000 sq ft and over) fully equipped production TV studios as of September 2017 are at TV Centre (2), BBC Elstree (1), Elstree Studios (2), Pinewood (2) and The London Studios (2).  (TLS will close in April 2018.)  Elstree's 'George Lucas' Stages 1 and 2 have no lighting grids or TV floors but they do have a suite of control rooms and cameras that can be used for either stage.  Pinewood's F stage has connections to the galleries for TV-three (the old Lotto studio) but it does not yet have a TV floor or TV grid so cannot really be described as a TV studio.  There are long-term plans to convert either stage L or M or possibly both into TV studios (they are very similar to TV-one and two) but this is unlikely to happen until all the new film stages are open on the other side of the road - so maybe some time in 2018 or 2019.

London lost 4 superbly equipped 8,000 sq ft studios when TV Centre closed in 2013 plus the excellent 10,800 sq ft TC1.  However, TC1 and TC3 reopened in September 2017.  Teddington's 9,000 sq ft studio closed at the end of 2014 whilst Wimbledon closed in August and Riverside in September 2014.  Two stages at Wimbledon re-opened in August 2015 but are only suitable for single camera work.  Riverside is due to reopen in Summer 2018 with one dedicated 6,500 sq ft TV studio plus shared use of a smaller one.

The closure of Fountain at the end of 2016 along with the announcement that TLS will close in March 2018 has presented the industry with real problems all over again, just when it looked as though things were looking up with the re-opening of studios at TV Centre and Riverside.

So, from the Summer of 2018, 5 of the available medium/large studios for typical TV comedy/entertainment will be run by BBC Studioworks, 2 by Pinewood and 1 by Riverside TV.  And that's it in London.

 

Other small but still useful studios available for general use are to be found at The Hospital Club, Cactus Clapham and IMG.  The old Cactus studio in Kennington (now called Spectrecom) is open again but is relatively small and has very basic facilities.  Kentish Town Studios had a long-term booking between 2011 and 2014 but the two studios there are now available for hire again.  Princess Studios has had two long term bookings but will be closing at the end of 2017.  The RADA studio (formerly the Drill Hall) has been used to make some TV using flyaway facilities but is a very basic studio theatre, not a TV studio.  The BBC Radio Theatre in Broadcasting House has televised some radio and red button concerts and hosted a couple of comedy stand up series for BBC 3.  However, despite having excellent sound facilities and a well equipped lighting grid, the studio has no permanent television facilities - it all has to be hired in for each booking.

A few years ago, a number of small studios closed including 124, Capital, Molinare, MTV, Technicolor (Disney), Mediahouse and Stephen St.  Teddington closed all its small studios in the summer of 2013 and of course TV Centre's small studios were also lost in the same year.

Sky's studio centre in Osterley contains two small-medium studios (1,900 & 3,100 sq ft) plus all their dedicated news and sport studios and a long and narrow 5,500 sq ft 'double' studio that opened in 2011 in their new Sky Studios building.  This is very occasionally used for making entertainment shows but is mostly filled with sport.  These studios are currently only available for programmes that will be transmitted on Sky's channels but are occasionally used by independent production companies as well as Sky's in-house production departments.  There have been rumours of a new large studio for entertainment shows being built at Sky for a number of years but this has so far come to nothing.

 

There are a handful of large TV studios in England that are very much in demand, mostly making big shiny floor shows.  TC1 rejoined this list in September 2017 but at around 10,800 sq ft it is quite a bit smaller than the rest of these.  NB - Elstree stages 1 and 2 ('George Lucas' stages) are technically film stages but are often used for TV as they share a well-equipped suite of control rooms and cameras that are owned by BBC Studioworks.

On 12th January 2016 it was announced that Fountain had been sold to a property developer.  The 13,400 sq ft studio closed at the end of 2016.  However, LH2 - a large building originally designed for rehearsing rock music tours - was brought into service as a TV studio in 2017 and has effectively replaced it.

 

TC1

Maidstone studio 5

 

Salford dock10 HQ1

Elstree stages 1 and 2

LH2

approximate gross sq feet

10,800 sq ft

11,400 sq ft

 

12,500 sq ft

 

15,800 sq ft each

 

14,800 sq ft useable floor area

typical shows

Jonathan Ross Show, Russell Howard Hour, Sounds Like Friday Night

Later With Jools, Take Me Out

The Voice auditions

Strictly Come Dancing, BGT

The Voice, X-Factor

 

Most multicamera studio productions are designed to fit into a space around 90ft x 70ft.  Although the BBC converted two stages at Elstree Film Studios for TV use, they are not able to turn productions round as fast as they can at TV Centre.  It is only really practical to have two different shows per week in those stages (although three have shared a stage by keeping all 3 lighting rigs in place) and standing sets are preferred.  BBC Elstree D is also a slow studio to turn round from one show to the next.  The 4 studios of this size lost at TVC have thus not been replaced like for like and along with the closure of Teddington there is a serious studio shortage of the most popular 90 x 70ft size.  It is worth noting that BBC Glasgow and MediaCity Salford (dock10) each have only one studio of this popular size.

Although TC3 has reopened, from 2018 it will be used by ITV Daytime for around 4 years so despite being the magic 90 x 70, it will be unavailable for other bookings.

These 90 x 70 studios are used for entertainment programmes of all kinds including music shows, gameshows, panel shows, chat shows, sitcoms, sketch shows, standup shows, magazine programmes, kids shows, quizzes, current affairs debates etc.  Of course, they are no longer used to make TV drama.  The last example of this on the main channels was probably The House of Eliott, made at TV Centre from 1991-1993.  (The exception in London is EastEnders, which is still made using traditional techniques in multicamera studios at BBC Elstree but those studios are purely dedicated to that programme.)  Sky, however, have briefly broken this trend - producing a season of live multicamera dramas from their studio 6 in the summer of 2009 and again in 2010 for their Sky Arts channel.  Good for them!

 

 

 

Below is a table showing the 90 x 70ft (approx) studios in Britain in September 2017 and their relative strengths and weaknesses.  Elstree Studios stage 8 is the same as 9 except that the galleries are on the first floor.  Pinewood TV-two is the same as TV-one (they share galleries).  TLS 1 is the same floor area as TLS 2 except that it also has permanent audience seating.  Some people may disagree with me on some individual categories below - they are purely my opinion.  After all, how do you define when a toilet is 'near' or 'far' from a control room?  (I think when you need to go, you probably know.)

green = good, red = not so good, black = neither good nor bad.

BBC Glasgow studio PQA

dock10 MediaCity HQ2

Television Centre TC3

Elstree Studios stage 8 and 9

BBC Elstree studio D

TLS 1 & 2 (1 has permanent audience area but floor is same size as 2)

Pinewood TV-one and two

Gross area (approx)

8,400 sq ft

7,600 sq ft

8,000 sq ft

7,500 sq ft

7,800 sq ft (11,800 sq ft inc audience area)

7,300 sq ft (8,350 sq ft inc studio 1 audience area)

8,800 sq ft

Within firelanes (30cm metric feet)

90 x 70 ft

97 x 68 ft

90 x 70 ft

90 x 74 ft

100 x 64 ft (minus one corner) plus built in audience area

89 x 68 ft

106 x 74ft

Scene dock doors

2

1

2

1

1

1

1

Direct access to outdoors?

via scene dock but doors directly opposite

no.  access via long internal corridor

yes, directly across scenery runway

yes

via covered way

no.  access via large scene dock

yes

Easy access to studio for delivery vehicles?

yes

no. see above

no - very limited due to it still being a building site

yes

no.  covered way with limited access for vehicles

no

yes

On-site scenery storage near studio?

yes

very limited

yes, but not much

no

yes

yes

very limited

Dedicated prop storage/prep area for studio

yes

no

yes

no

yes

shared

no

Dressing rooms nearby on same floor

no

no

no

yes (short walk)

yes

no

no

Galleries near studio floor?

no, 2 floors up

no, 2 floors up

1st floor

st 8 1st floor, st 9 ground floor

1st floor

yes

yes

Toilets near galleries?

yes

no, very long walk down corridors and risk of forgetting pass and getting locked out!

yes

no, long walk to costume/make-up block

down stairs

yes

yes

Dimmers

on bars

in grid

dimmer room

dimmer room

dimmer room

dimmer room

dimmer room

Audience seating

Mobile, stored in studio

mobile

built-in (folds away)

mobile

permanent

mobile

mobile

'Basic' lights provided with studio?

yes

yes

yes

yes

yes

yes

no, all lights must be hired from MBS

Well-stocked nearby extra lighting equipment store?

yes

no

no

no

no

yes

on site (MBS)

Lighting grid

bars

bars

bars

monopoles

monopoles

monopoles

monopoles

Production lights over fire lane?

bars

no

bars

no

no

track

no

Electric scene hoists?

yes

yes

yes

mobile

no

a few mobile

no

Good public transport nearby for audiences?

yes (bus)

yes (tram)

yes (2 tube lines plus Overground)

no

no

Waterloo tube and rail 7 mins walk

no, but on-site parking for audiences

 

All the above studios have the following:  flat TV floor, at least 6 HD cameras, fully equipped galleries, lighting grid (bars or monopoles), green room, production office, make-up room, wardrobe room, audience handling facilities - but some are much better than others.

Many sets are designed to fit into a 90 x 70ft studio so a studio that is even a few feet larger is very handy as it provides extra room.  The two Pinewood studios are particularly useful in this regard.  Any with a width less than 70ft can create problems if a set was previously designed for another studio.  BBC Elstree D is relatively narrow at 64ft but it has audience seating along one wall which more than compensates for this.  Similarly, TLS studio 1.

Only having 1 scene dock door slows down rigs and derigs as all scenery, steeldeck, props, hired lights, LED screens, prompter kit, camera cranes etc. have to pass through the same door.  Having easy access to the studio for deliveries is essential - a door opening directly to outdoors where large trucks and smaller vehicles can unload is ideal.  The worst studio for this is MediaCity HQ2 but the TLS studios are not much better.

Dimmers mounted on lighting bars or in the grid are difficult to access for fault-finding or resetting tripped circuits so this is not good.  They are much better in their own dimmer room.

Monopoles are preferred by most LDs over motorised bars as they enable lights to be positioned closer to where they need to be.  However, a rig with many dual-source lamps on bars is sometimes quicker to cope with short-notice production changes on the day.  This is known as a 'saturated rig'.  Bars usually have DMX data points too, which speeds up the rigging of automated lights.

 

 

The big fully-equipped and fantastically expensive TV studio is still very much alive and well, despite numerous attempts over the years to declare its imminent death.  Since the closure of TV Centre, production companies have found it very difficult to find available studio space at the busy times of the year.  In Maidstone a large studio opened in 2005 and has since been attracting a number of bookings.  However, an old Anglia production studio in Norwich re-opened in 2006 as an independent facility but picked up very little work, probably due to its remote location.  One of the two larger stages at Wimbledon Studios was converted into a TV studio in 2011 with the intention of attracting entertainment shows with a studio audience and a standing set but they couldn't make the sums add up and it closed in August 2014.  It is now simply a 4-waller again.

As for the future, Riverside Studios has closed for redevelopment.  The new building will contain two TV studios - one a little larger than the previous 6,000 sq footer and the other about 4,000 sq ft.  However, during the four years of construction, its very useful (and busy) studios have been lost, adding to the problem.

 

Several years ago the BBC declared that by 2016, half of its output would be made outside London.  The question is - are London-based entertainment productions prepared to make their shows in Salford or Glasgow?  The answer is - sometimes, because they are made to do so by the BBC management's policy.  'Producer Choice' no longer exists as it once did since several London-based programmes have been forced to move to Glasgow or Salford whether they liked it or not.  A number of gameshows and one or two sitcoms are regularly made in BBC Glasgow's excellent studio - this seems to be a popular and successful arrangement with those involved. 

In contrast, Peel Media's dock10 studios in Salford still appear to struggle to attract work from London-based production teams.  Paying for travel and accommodation for heads of department and artists adds a cost to the budget that doesn't apply when making a show in London.  Most shows made in Salford are Manchester-based such as the BBC shows Match of the Day, A Question of Sport and Blue Peter and the ITV/C4 shows Countdown, Cats Does Countdown, Jeremy Kyle, University Challenge and Judge RinderThe Voice audition rounds have been made in Salford and Citizen Khan and Porridge were based there but it is hard to think of many other BBC entertainment shows that have been recorded in Salford in the past 2 or 3 years.  Pinewood is usually the preferred choice for a 'regional' production as it sits just outside the M25 so ticks that box but is near enough to London that accommodation and travel do not have to be paid to most of those working on shows made there.

This rule that certain programmes have to be made outside the M25 is imposed by Ofcom - many have questioned its legality but it does appear to be legitimate.  It does seem very unfair that you can or cannot work on a production depending on whether your home happens to be one side or the other of a motorway.

 

The industry has now completed its move to making every programme in high definition (HD).  This development has technically been as big as the change from black and white to colour.  Sky is transmitting over 70 HD channels with more being added all the time.

3D is also technically possible in some studios but lack of consumer interest prevented this from taking off.  What will be giving financial managers sleepless nights is the next development - 4K Ultra High Definition.  This is already being introduced in OB trucks and is to be found in TC1 and the new Riverside 1.  Other studios will doubtless follow.  4K UHD TVs are already outselling HD.  BT Sport launched the UK's first UHD channel in August 2015 and the new SkyQ box was launched in 2016, with some programmes and films available in 4K.

 

 

Pre TV...

Before the Second World War there was only one television studio centre in London - Alexandra Palace - but there were 21 film studios, each with several stages.  By the early 1960s the number of film studios had dwindled to a mere handful but on about half a dozen sites around the capital television was thriving.  The decline in the film industry coincided with the dawn of television so a number of studio sites were ready and available to be converted to the new entertainment medium.

The film studio capacity had exceeded the demand and many closed - either to become television studios or to be lost to redevelopment.  Amongst the most famous was Denham, which in its day was the largest studio in the country with 7 stages.  It closed in 1951.  (Apparently, the BBC briefly considered siting its new Television Centre there, rather than at White City.  I gather that the Post Office couldn't guarantee to get the necessary sound and vision cables laid in time so it had to be rejected.) 

Many film studios had been built to accommodate the system of quotas introduced by the government in 1928.  This stipulated that at least 20% of all films shown in cinemas in the UK must be made in Britain.  The Hollywood studio companies therefore made hundreds of 'quota quickies' in studios all round London - usually very cheaply but crucially giving invaluable experience to actors and crew members.  After the war the quota was dropped and a tax was introduced on cinema ticket sales.  These two things combined to create a rapid decline in the UK's film industry and the inevitable result for many studios was closure.  A contributing factor of course was television itself.  People were not so inclined to go to the pictures once or twice a week if they had a TV set in their own living room.  This was particularly true from about 1955 when the ITV companies began broadcasting.

Those old film studios that found a new life with television included Lime Grove (Shepherds Bush), Riverside (Hammersmith), Teddington, Highbury, Wembley Park and National Studios in Elstree (which in 1938 were owned by Joe Rock).

The map shown above is taken from the International Motion Picture Almanac of 1937-38.  It is thus a fascinating snapshot of the industry shortly before the war and so in industry terms, just before television changed everything.

Of the 21 studios shown, only five are still making movies - Pinewood, Shepperton, Twickenham, Ealing, ABPC (Elstree Studios)  - of which two currently also have TV studios - Pinewood and Elstree Studios.  Six became purely television studios - Wembley (A-R now Fountain), Joe Rock Elstree (ATV now BBC), Shepherds Bush (BBC Lime Grove), Hammersmith (Riverside), Highbury and Teddington.  Of those, three - Highbury, Lime Grove and Teddington - have since closed.  Riverside has closed but will reopen in 2017.  Beaconsfield incidentally is now the home of the National Film and Television School.

The map is far from accurate.  For example, Teddington is shown south of the river and Twickenham appears to be right in the middle of the Thames!  In case you were wondering - Bray did not open until 1951 and Leavesden made its first film in 1994.

 

The arrival of television...

The table below shows the year each studio opened. The chart only covers London's TV studios.  It is interesting to note the two main clusters of construction - around the launch of ITV and then during the early to mid 1960s.  News/presentation and small studios are not included unless they have special significance or are part of a larger complex.  Studios marked in red are no longer in use. 

Studios marked 'TC' are at BBC Television Centre, 'LG' were at Lime Grove and 'TLS' are at The London Studios.

Studios marked with an asterisk* were converted into a TV studio from previous use as a film stage.

1935 (180 lines, then 240 lines)

Crystal Palace 1, 2, 3 (Baird's regular transmissions began in February although the studios were in use for trials and experiments for at least a year before this.  From November, resolution increased to 240 lines)

1936

BBCtv begins (240 & 405 lines)

Alexandra Palace A and B (Began in November.  A was 405 line EMI system, B was 240 line Baird system.  Baird 240 line system ended in Feb 1937.  Then B converted to 405 lines.)

.

 

1950

Highbury A* (b/w high definition cameras from 1950-1956); LGD*, LGG*

1951

 

1952

LGH*

1953

LGE*; TV Theatre

1954

 

1955

ITV begins (405 lines)

Viking*; Granville; Television House 7-10; Wembley 1-4*; Wood Green Empire; Hackney Empire

1956  Riverside opens

Riverside 1*& 2*; King's Theatre Hammersmith

1957

Chelsea Palace

1958

 

1959  Teddington opens

Teddington 2*& 3*

1960  TV Centre opens.  ATV Elstree opens

ATV Elstree C*& D*; Wembley 5 (later Fountain); TC2, TC3

1961

ATV Elstree A*& B*; TC4, TC5

1962

Teddington 1*

1963

1964

BBC2 begins (625 lines)

TC1

1965

Hillside 1 and 2; TC7

1966

Elstree Film 7, 8, 9 (Built as film stages with monopole grids and 8/9 with space for control rooms but not equipped for TV);  Pinewood J & K (Built as film stages with monopole grids, flat floors and space for control rooms but not equipped for TV); Wycombe Road

1967

colour on BBC2

TC6 (first colour studio in UK), TC8

1968

Ewarts Wandsworth A & B (later Capital, then Marjan TV)

1969

colour on BBC1 & ITV (625 lines)

Thames Euston 4, 5, 6; Golders Green Hippodrome; N1, N2 (later became TC10, TC11)

1970

Battersea A and B

1971

 

1972  LWT South Bank opens

TLS 1, 2, 3, 4, 5

.

 

1978

Molinare 1

1979

Greenwood Theatre

1980

 

1981

Thames Euston 7

1982

C4 begins

 

1983

TV-am begins

Limehouse 1 & 2; TV-am 1 & 2 (later MTV)

1984

 

1985

Fountain New Malden

1986

 

1987

 

1988

LWT 10

1989

Sky TV begins

Sky 1, 2, 3, 4, 5; BSB 1, 2, 3, 4 (later QVC); Merton 1, 2, 3 (later called Wimbledon Studios)

 

1990

 

1991

 BBC Elstree Stage 1 (for EastEnders)

1992

 Lock Keepers' Cottages

1993

TLS 7

1994

124 Studio; Teddington 4 (formerly music studio); Bow Lock studio

1995

TC0 (formerly music studio)

1996

TLS 8, TC9 (formerly make-up store); Disney Chiswick A and B (mothballed in 2005, occasionally used around 2008/9 but now closed.)

1997

Five begins

Stephen Street 1 and 2; HDS 1, 2, 3, 4 (now 4-wallers and called West London Film Studios.)

1998

Sky Digital & OnDigital (now Freeview) begin

16:9 widescreen available

 Sky 6, 7 (now called F and G)

1999

 

2000

Pinewood TV-one* & TV-two* (fully converted to TV studios from stages J & K); TC10 (formally N1); Mediahouse 1; HDS A, B, C (TV studios converted from what was then studio 2 - now 4-wallers)

2001

Cactus Kennington (closed in 2012, reopened in 2014 as Spectrecom); HDS 5, 6

2002

TC11 (formerly N2)

2003

The Hospital Club (first colour HD studio in UK); Princess Studio

2004

Kentish Town 1; Teddington 6 (formerly viewing theatre/meeting room); TC12 (formerly music studio control room - closed in 2008); 1 Leicester Square (MTV studio - closed in 2007)

2005

Teddington 7 (formerly prop store area); Teddington 8 (formerly edit suite); Sky A, B, C, D (news studios)

2006

HD available (1080 interlaced lines - service available via Sky or Virgin cable - Sky One and BBC trial HD channel amongst others.)

 

2007 (C4 HD channel begins via Sky.  BBC HD Channel officially begins.)

The One Show studio, White City

2008

Freesat begins in May (All BBC, ITV and C4 channels available via free satellite service with BBC and ITV offering HD channels - ITV only some programmes via 'red button')

Kentish Town 2

2009

 

2010

ITV1 HD begins simulcasting all programmes from April, some in HD.  Five HD from July, BBC1 HD channel launched in November.

stereoscopic 3D channel launched by Sky on October 1.

 

2011

Wimbledon stage 1 converted into TV studio.  Sky Studios 1, 2, 3, 4, 5, 6, 7, 8

2012

Cactus 1 (Clapham)

2013

TV Centre closes.  BBC HD Channel becomes simulcast BBC2HD in March.  BBC3HD, BBC4HD, CBeebiesHD, CBBCHD, BBC NewsHD begin in Dec.

BBC NBH A, B, C, E, F, G, H, J, K;  BT Sport 1 & 2;  Cactus 2; Wimbledon 3 rebuilt;  Elstree stages 8 and 9 converted into TV studios; IMG Stockley Park 1, 2, 3, 4;  Elstree Studios stage 1 equipped with TV galleries;  Riverside 2 reopens as TV studio;  Pinewood TV-three opens for Lottery; Teddington 1 kept open for another 18 months after it was due to close in the summer.

2014

The One Show moves to NBH; BT Sport 3; Kennington reopens as Spectrecom Studios; Pinewood F stage marketed as TV studio but yet to have TV floor or lighting grid.

2015

BT Sport launches UK's first Ultra HD channel in August

BBC Elstree stages 2 & 3 (EastEnders)

2016

Fountain closes

2017

 

TC1, TC2 and TC3 reopen.  Closure of TLS announced.

It is worth mentioning that although HDS Studios closed as TV studios, they were kept on as dry-hire 4-wallers.  They have now been taken over and are marketed as West London Film Studios.  Also, Capital closed for redevelopment in 2008 but in 2010 the studios were reopened by an Iranian TV channel (Marjan TV Network) and were used by them.  The studios closed in 2014.  Then, Marjan moved to Wimbledon Studios and refurbished the site - they occupy most of the offices and studio 3.  Stages 1 and 2 are now available again as 4-wallers.

 

Incidentally, if you are wondering who actually invented television - I have written a very brief history at the start of the Independent TV Studios section.

 

Finally, I have taken the liberty of copying a superb sketch drawn in 1995 by Dicky Howett.  Dicky is a very knowledgeable expert on the history of British television cameras.  He owns dozens of them - most of which he has returned to full working order.  He and a colleague, Paul Marshall, run Golden Age Television Recreations - a company that rents out period television equipment for use as working props in films and TV programmes.  Their expert knowledge has been called upon several times by me in the writing of this website.

Anyway - below is a drawing of the principal monochrome television cameras in use in London's studios from 1937 to the beginning of colour in the late '60s.  Despite at first glance looking like a rough sketch it is in fact incredibly accurate and I have often found it invaluable in identifying camera types.  It was originally printed in 405 Alive magazine and I hope the people associated with that publication and Dicky himself won't mind me copying it here...

 

 

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