An incomplete history

of London's television studios



Since the Covid-19 pandemic struck, many freelancers have been left in severe financial straits.  Backup is a charity that supports industry technical professionals working in live events, theatre, television and film who through no fault of their own are unable to support themselves or their families.

If you have enjoyed reading this website, can I ask you to consider making a donation?  Please visit to find out how you can help.  Even a few pounds will make a difference.



I am a recently-retired freelance television lighting director, having worked mostly in London's television studios.  I became interested in the history of some of those studios almost as soon as I left the BBC to become freelance in the summer of 2002.  I found myself working in places with backgrounds that in several cases went beyond the old ITV company days to the early years of cinema.

In the spring of 2005 I began to ask a few colleagues with many years' experience what they remembered of the good old times and found some fascinating stories.  For my own benefit really, I started to note some of these down and explore further using the Internet and a number of out of print publications.  (I have slightly disturbingly now read over 100 old and new books on the subject - see the bibliography for details.)

After a year I decided to create this website.  It went live in April 2006.  There are still gaps and no doubt a number of errors - although hopefully these will be relatively minor by now.  I am still very much welcoming any comments and, of course, corrections and additions.  About 300 people have contributed so far and I am very much in their debt for taking the trouble to write or talk to me.  In fact, I have received well over 2,500 email messages in total - some with corrections or additional information, others simply saying thanks.

If you send me any photos I will assume that you consent to them being published here.  Please go to the 'bibliography and links' page for a list of some of those who have provided information.


And yes, I know the whole thing looks terribly dated but I have created it using a clunky old software package called WebExpress that came out in 2000.  To be honest, transferring it all over to newer, more stylish software would take so long I'd never finish it.  Unless of course you're offering to do it all for nothing!


Incidentally, should you prefer to print it off and take it on holiday to read on the beach - (it takes all sorts) - the pages are formatted to print on A4 sheets.  Simply right click and select 'print.'  Warning - you will need a lot of paper!

From time to time I update the site and add studios accordingly.  Do return for another look occasionally as things may have changed.  And please tell your friends about the site.  I don't do it for money so it's nice to know that people are actually reading it.


As to why on Earth I would want to spend so much time researching and writing all this stuff... that's quite another matter.  Believe it or not, I do have a social life - of sorts.  Mind you, it is a few years since I wore an anorak but perhaps I should pop down to Millett's now.  (Do Millett's still exist?) 

When I first published the site I wondered who could possibly be interested in reading it.  It seems that there are more sad old gits like me out there than I realised, since it appears to have had thousands of individual visitors, some of whom I gather have returned on more than one occasion.  From the emails I receive, these naturally include many people who have retired from the industry and are glad that their experience is in some small way being recorded but I'm pleased to say that many people currently busy making television have also written and made contributions.  Thanks to you all.

Martin Kempton



Important copyright information...

A little word of warning to students:  the written material on this site is copyright.  You may not copy it and use it as your own work!  Please - if you are wishing to use any written material for publication in a book, TV or radio programme or on-line, feel free to ask and I shall try to be as helpful as possible.

Do not assume that any images are free to be copied or used elsewhere.   Most have been sent to me with the intention of being used only on this website and I can't say it is OK to use them anywhere else.  Some are personal photographs, others may have been copied from publications without my knowledge. 

Please don't write to me asking for permission to use the images.  That permission is not mine to give.  If you believe that you own the copyright to any image displayed here and wish it to be removed - or just perhaps given a credit if one is missing - I will of course be happy to oblige.  Many of the illustrations are copyrighted by their respective copyright holders according to the original copyright or publication date as printed on the artwork or publication and are reproduced here simply for historical reference, educational and research purposes.


Do contact me if you have any snippets of information to add.  If you read something here you're sure isn't correct - PLEASE let me know!  In my defence I would say that I have found many examples of contradictory information, dates etc but I have done my best to establish the most likely correct ones.  I shall happily add your name to the list of credits - unless you wish to remain anonymous.

Please feel free to contact me on




There is understandable confusion about the difference between a studio and a stage.  In the movie world a 'studio' can mean a company that makes feature films (Universal, Disney etc.) or it can mean a site with a number of large rooms in which films are made.  The site is usually referred to in the plural - thus 'Pinewood Studios.'  However, each large room is not commonly referred to as a studio but is called a 'stage' and if it is soundproofed it is more accurately called a 'sound stage'.  Confusingly, in the television world a studio is what the large room itself is called. 

A site containing several television studios is, I suppose, referred to as a 'studio centre'.  Thus, Television Centre now has three 'studios' but Shepperton Studios has fifteen 'sound stages'.

To be really picky, one should refer to a show being made IN a television studio and ON a film stage.


Even more bafflingly, ITV Productions changed its name to 'ITV Studios' several years ago, followed in 2016 by the BBC's in-house programme-making department, which is now called 'BBC Studios'.  'BBC Studios' do not own any actual studios.  They are free to make their shows wherever they wish - which for a number of years used to include ITV's own TV studios, which were called The London Studios.  Sadly, these no longer exist so ITV now make many of their programmes in the BBC studios at Television Centre.  I do hope you are keeping up with all this.  The BBC's TV studios in London are run by a company called BBC Studioworks - and they often hire their studios out to programmes that are being made not only for ITV but also for Channel 4 or Sky.  Confused?  I've hardly started.


I have defined a television studio as one with a flat lino or resin floor upon which camera dollies can move freely without using tracks.  It will also have a control gallery suite with all the necessary electronics and communications but not necessarily its own cameras.  One or two studios prefer to hire these in on a day to day basis. 

The studio will in most cases have a lighting grid with monopoles (sometimes called telescopes) or motorised bars (sometimes called hoists or 'boats') enabling fast pre-rigging and easy changes to the rig on the day.


A great deal of television drama is shot using a single digital camera and interiors are frequently shot on film stages.  Within the remit of this website, this does not make such stages 'television studios' - they still remain film stages.  I hope this makes some sort of sense as a film stage is a far more basic and simple space than a television studio.  A sound stage is in essence a soundproofed large room with a power supply available for lighting, and a simple but very strong overhead grid - usually steel 'runway' beams several feet apart - although many stages converted from industrial premises don't even have this.  The floor may be wooden or concrete but certainly not smooth enough to run a camera dolly along without tracks.

Having said the above, I have included many such studio centres as television drama is so important to our economy as well as our culture - especially with the rise of Netflix, Amazon Prime and Disney+ in recent years.


Incidentally - I do on occasions refer to an OB 'scanner'.  This is industry jargon for an outside broadcast control vehicle, which contains production control, sound control and vision control for several cameras.  However, it is a term that is hardly used any more - most people now refer to these vehicles as OB 'trucks'.


go to top of page